HANDS ON (review)
Gene Ludwig (Blues Leaf Records)
Review by: James Rozzi

During the 1960's, the popular appeal of jazz-organ groups was evident, and a cast of irrepressible B-3 bombers and tenor saxophonists spearheaded the craze "soul jazz". As time passed, some of the more talented organists began to explore tunes beyond the stereotypical funk and blues. Veteran Pittsburgh organist Ludwig is one such player, whose quartet capably moves beyond basics to cover a more sophisticated set list.

With excellent sidemen in guitarist Ken Karsh, drummer Tom Wendt, and tenor saxophonist Eric DeFade, Ludwig presents a well-oiled machine that virtually drips grease, but that's a good thing. This band plays cleanly, but the human element essential to the jazz organ's blue-collar legacy is intact in all its gutsy, heartfelt glory. One of two originals, "Louie and Jazz", is a classic blues shuffle featuring very mature solos by all. Ludwig and company handle the up-tempo "Unit 7" every bit as proficiently as did Wynton Kelly and Cannonball Adderley.

Interestingly, these four musicians exhibit very similar styles while soloing, with no obvious foils among them. Each man steps up to blow with a high command of his instrument, having obviously studied the masters. While Ludwig is a composite of every great jazz organist since the late '50s, Karsh's guitar seems to gravitate toward Grant Green. DeFade captures the essence of West Coast tenors Plas Johnson and Pete Christlieb. All the while, Wendt establishes a mighty groove under and exemplary group that's firmly rooted in the history of straight-ahead and bluesy B-3 jazz.

- Review by: James Rozzi, Jazziz Magazine March 2004

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